Showing posts with label Wes Anderson. Show all posts
Showing posts with label Wes Anderson. Show all posts

Monday, February 19, 2024

Live Action Shorts - 5 nominees


THE AFTER: Misan Harriman and Nicky Bentham
The shorts are rarely light hearted and this year is no exception to that rule. Having said that, this heartbreaking and excellent short follows a father and husband whose wife and daughter are killed in a most horrific way, and how he must learn to cope following their deaths. David Oyelowo gives a masterful performance and this short film shows how fragile life can be.



INVINCIBLE:Vincent René-Lortie and Samuel Caron
Apparently based on a true story, Invincible follows the last 48 hours of a Canadian child's life in a detention center for troubled youth. He is so clearly smart and loved, and even the people at the center seem to believe in him. But he can't get out of his own way and when he makes a run for it, his despair about being able to get out of his last worst decision overwhelms him beyond repair.



KNIGHT OF FORTUNE: Lasse Lyskjær Noer and Christian Norlyk
This sweet short keeps up the tradition of the Danish shorts that are full of heart and humor. Two men find each other as they come to say goodbye to their beloved wives. When they get themselves into a seriously awkward situation at the morgue, all you can do is giggle while they comfort strangers who are also mourners. They support each other through a very difficult moment in their lives as only older tough men can do.



RED, WHITE AND BLUE: Nazrin Choudhury and Sara McFarlane
This was my favorite of the shorts, depicting the devastating consequences of abortion bans in so many states. I don't want to share too much about the plot because the twist toward the end of the film is so profound that I hope you'll see it yourself. A single, poor mother must contend with the worst of options while living on the edge of poverty at every moment, and her limited choices are devastating for more than just herself, but also for her two children, especially her daughter.



THE WONDERFUL STORY OF HENRY SUGAR: Wes Anderson and Steven Rales
This delightful short from Wes Anderson has all the weirdness that only Anderson can deliver with the most terrific cast. It is told with actors who are both acting out the plot and narrating the plot at the same time.  My favorite moments are when an actor will say a line looking away and then turn directly to the camera and say, "I said." It's the story of how one man came to see without his eyes, and another became obsessed with duplicating this talent.  It's a kooky little one from author (and known anti-Semite_ Roald Dahl.

Monday, January 26, 2015

THE GRAND BUDAPEST HOTEL - 9 nominations

Best Picture - Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson 
Cinematography - Robert Yeoman 
Costume Design - Milena Canonero
Directing - Wes Anderson
Film Editing - Barney Pilling 
Makeup and Hairstyling - Frances Hannon and Mark Coulier 
Original Score - Alexandre Desplat 
Production Design - Adam Stockhausen and Anna Pinnock 
Original Screenplay -  Wes Anderson and Hugo Guinness 

Let's start with the fact that I don't usually "get" Wes Anderson films, but recently he has been on a tear of films of which I can't get enough.  The Grand Budapest Hotel was one of them.  Every single one of the categories for which it is nominated is absolutely correct.

Describing a Wes Anderson plot is a little bit like trying to herd cats because there are always so many things happening and you don't really know what to attend to first.  The basic story revolves around M. Gustave (Ralph Fiennes) a concierge at an upscale hotel and his trusty sidekick and protoge, Zero (Tony Revolori).  Gustave "services" elderly ladies who come to the hotel, and one in particular dies and leaves him a very valuable painting in her will.  Naturally, her greedy children dispute Gustave's claim to the painting, and it's fair to say in summary that hijinx ensue.


The film is funny and quirky and has Anderson's usual cast of characters (Ed Norton, Bill Murray, Tilda Swinton, Jason Schwartzman, Owen Wilson, Adrien Brody, Bob Balaban...).  For me, the real standouts of the film were the Costume and Production Designs.  The look of the film from the dilapidated hotel to the lavish version is spectacular.  The costumes are elegant and interesting, but also manage to be that particular "Anderson strange" that supports his motif perfectly.  In fact, when I saw the first 10 seconds of the trailer for the film before it came out, I immediately thought, "this is a Wes Anderson film."  All of the elements are so distinctly him that the Directorial nomination was a no brainer.

The Oscars rarely get behind movies that are not solely dramatic in nature, and to see a comedy coalesce in this way is a treat.  The Grand Budapest Hotel is grand, indeed.